{"created":"2023-07-27T06:52:12.802312+00:00","id":45992,"links":{},"metadata":{"_buckets":{"deposit":"9ec95592-337c-428e-85d0-30b074d39983"},"_deposit":{"created_by":18,"id":"45992","owners":[18],"pid":{"revision_id":0,"type":"depid","value":"45992"},"status":"published"},"_oai":{"id":"oai:kanazawa-u.repo.nii.ac.jp:00045992","sets":["2812:2813:2816"]},"author_link":["79836","2522"],"item_9_biblio_info_8":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2018-05-24","bibliographicIssueDateType":"Issued"},"bibliographicPageStart":"6p.","bibliographicVolumeNumber":"2014-04-01 - 2018-03-31","bibliographic_titles":[{"bibliographic_title":"平成29(2017)年度 科学研究費補助金 基盤研究(C) 研究成果報告書"},{"bibliographic_title":"2017 Fiscal Year Final Research Report","bibliographic_titleLang":"en"}]}]},"item_9_creator_33":{"attribute_name":"著者別表示","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{}],"nameIdentifiers":[{},{}]}]},"item_9_description_21":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"円光盛り上げの技法では、フィレンツェ派を中心とした現地調査の結果、ジョットの技法を継承した技法書『絵画術の書』と同一の手法によるものがほとんどであったが、フラ・アンジェリコによる『受胎告知』と『磔と聖人たち』に導入された円光には、板絵テンペラ画の技法と同様の石膏による手法が導入されていた。彼の石膏による円光の技法を実証的に解明した。\n金属箔の技法では、アーニョロ・ガディ作『聖十字架物語』に用いられ同技法が、礼拝堂内に差し込む陽光を反射させる目的で堂内西側に描かれた壁画により多く配置されていることが判った。また、同技法に使用された油性の接着剤について、フレスコ画におけるその特性を明らかにした。","subitem_description_type":"Abstract"},{"subitem_description":"With regard to the technique of raising nimbuses, as a result of the field investigation focusing on the Florentine school, most nimbuses were based on the same techniques in the manual Il Libro Dell’ Arte, which succeeded that of Giotto but Fra Angelico’s was different. A gypsum method, similar to the technique of the tempera painting was used for nimbus in “Annunciation” and “Crucifixion and Saints” by Fra Angelico. I empirically expounded on how to make his nimbuses.\nRegarding the metal foil technique that was evident in Agnolo Gaddi’s “The Legend of the True Cross,” it was used more for the fresco on the western side of the chapel to reflect sunlight coming into the chapel. And the oily binder used in this technique was also explained through its properties in fresco.","subitem_description_type":"Abstract"}]},"item_9_description_22":{"attribute_name":"内容記述","attribute_value_mlt":[{"subitem_description":"研究課題/領域番号:26350375, 研究期間(年度):2014-04-01 - 2018-03-31","subitem_description_type":"Other"},{"subitem_description":"出典：研究課題「フレスコ壁画における工芸的装飾技法の実証的研究」課題番号26350375\n（KAKEN：科学研究費助成事業データベース（国立情報学研究所）） \n（https://kaken.nii.ac.jp/report/KAKENHI-PROJECT-26350375/26350375seika/）を加工して作成","subitem_description_type":"Other"}]},"item_9_description_5":{"attribute_name":"提供者所属","attribute_value_mlt":[{"subitem_description":"金沢大学人間社会研究域学校教育系","subitem_description_type":"Other"}]},"item_9_identifier_registration":{"attribute_name":"ID登録","attribute_value_mlt":[{"subitem_identifier_reg_text":"10.24517/00052326","subitem_identifier_reg_type":"JaLC"}]},"item_9_relation_28":{"attribute_name":"関連URI","attribute_value_mlt":[{"subitem_relation_name":[{"subitem_relation_name_text":"https://kaken.nii.ac.jp/search/?qm=60345642"}],"subitem_relation_type_id":{"subitem_relation_type_id_text":"https://kaken.nii.ac.jp/search/?qm=60345642","subitem_relation_type_select":"URI"}},{"subitem_relation_name":[{"subitem_relation_name_text":"https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-26350375/"}],"subitem_relation_type_id":{"subitem_relation_type_id_text":"https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-26350375/","subitem_relation_type_select":"URI"}},{"subitem_relation_name":[{"subitem_relation_name_text":"https://kaken.nii.ac.jp/report/KAKENHI-PROJECT-26350375/26350375seika/"}],"subitem_relation_type_id":{"subitem_relation_type_id_text":"https://kaken.nii.ac.jp/report/KAKENHI-PROJECT-26350375/26350375seika/","subitem_relation_type_select":"URI"}}]},"item_9_version_type_25":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_ab4af688f83e57aa","subitem_version_type":"AM"}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2019-04-26"}],"displaytype":"detail","filename":"ED-PR-ETOH-N-kaken 2018-6p.pdf","filesize":[{"value":"1.1 MB"}],"format":"application/pdf","licensetype":"license_11","mimetype":"application/pdf","url":{"label":"ED-PR-ETOH-N-kaken 2018-6p.pdf","url":"https://kanazawa-u.repo.nii.ac.jp/record/45992/files/ED-PR-ETOH-N-kaken 2018-6p.pdf"},"version_id":"a6944570-074e-45d3-958e-4e84c9510f25"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"research report","resourceuri":"http://purl.org/coar/resource_type/c_18ws"}]},"item_title":"フレスコ壁画における工芸的装飾技法の実証的研究","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"フレスコ壁画における工芸的装飾技法の実証的研究"},{"subitem_title":"A study of the techniques of decorative art crafts in fresco","subitem_title_language":"en"}]},"item_type_id":"9","owner":"18","path":["2816"],"pubdate":{"attribute_name":"公開日","attribute_value":"2019-04-26"},"publish_date":"2019-04-26","publish_status":"0","recid":"45992","relation_version_is_last":true,"title":["フレスコ壁画における工芸的装飾技法の実証的研究"],"weko_creator_id":"18","weko_shared_id":-1},"updated":"2023-07-27T12:48:20.840968+00:00"}