{"created":"2023-07-27T06:19:56.044302+00:00","id":967,"links":{},"metadata":{"_buckets":{"deposit":"b2fcc256-121f-4276-bc7a-275fbca1ce66"},"_deposit":{"created_by":3,"id":"967","owners":[3],"pid":{"revision_id":0,"type":"depid","value":"967"},"status":"published"},"_oai":{"id":"oai:kanazawa-u.repo.nii.ac.jp:00000967","sets":["11:12:16"]},"author_link":["4192","631","93711"],"item_4_biblio_info_8":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2017-03-31","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"49","bibliographicPageEnd":"88","bibliographicPageStart":"81","bibliographic_titles":[{"bibliographic_title":"美術教育学研究 = Studies in Art Education"}]}]},"item_4_creator_33":{"attribute_name":"著者別表示","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"Omura, Masaaki"}],"nameIdentifiers":[{},{},{}]},{"creatorNames":[{"creatorName":"Etoh, Nozomu"}],"nameIdentifiers":[{},{},{}]}]},"item_4_description_21":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"本研究は，イタリア・ゴシック期のフレスコ画に多用された円光技法について，実証実験を通して明らかにするもの である。これまで，フィレンツェのサンタ・クローチェ教会主礼拝堂壁画『聖十字架物語』の修復に際して得られた研究資料 等に基づき，チェンニーノ・チェンニーニの技法書に則って当時のジョット派の円光技法を解明した。次に，調査をフィレン ツェ派の円光に拡大したところ，ほとんどがジョット派，つまりチェンニーニの技法とほぼ同じであった中，初期ルネサンス の巨匠フラ・アンジェリコの円光は大きく違っていた。当該の円光が採用された作品は，彼の傑作『受胎告知』と『磔と聖人 たち』であり，この二作品に導入された円光にも違いが確認できた。前稿で解明した『受胎告知』の円光技法につづき，本稿 では『磔と聖人たち』の円光技法を明らかにする。In this study, I demonstratively explored the technique of stuccoing nimbuses in gothic period fresco. I identified the technique of the Giotto school based on many precious resources that I was able to collect while restoring the fresco of ‘The Legend of the True Cross’. I identified the technique using ‘Il libero Dell’arte’ (‘The Craftsman’s Handbook’) written by Cennino Cennini. I then expanded my research to include the nimbuses of the Firenze school and proved that even though most of the nimbuses were made with almost the same technique as Cennino Cennini’s definition of the Giotto school technique, nimbuses made by Fra’ Angelico (the great master of early Renaissance fresco) differ greatly from them. I discovered that there was a difference between the nimbuses in two of his masterpieces, ‘The Annunciation’ and ‘The Crucifixion and Saints’. In the last chapter, I investigated the technique used to make the nimbuses in ‘The Annunciation’. In this chapter I will clarify the technique used to make the nimbuses in ‘The Crucifixion and Saints’.","subitem_description_type":"Abstract"}]},"item_4_publisher_17":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"大学美術教育学会 = University Art Education Society of Japan"}]},"item_4_relation_28":{"attribute_name":"関連URI","attribute_value_mlt":[{"subitem_relation_type_id":{"subitem_relation_type_id_text":"https://www.jstage.jst.go.jp/browse/uaesj","subitem_relation_type_select":"URI"}},{"subitem_relation_type_id":{"subitem_relation_type_id_text":"https://www.uaesj.com/","subitem_relation_type_select":"URI"}}]},"item_4_rights_23":{"attribute_name":"権利","attribute_value_mlt":[{"subitem_rights":"Copyright © University Art Education Society of Japan 大学美術教育学会"}]},"item_4_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"2433-2038","subitem_source_identifier_type":"ISSN"}]},"item_4_version_type_25":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"大村, 雅章"}],"nameIdentifiers":[{},{},{}]},{"creatorNames":[{"creatorName":"江藤, 望"}],"nameIdentifiers":[{},{},{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2017-10-02"}],"displaytype":"detail","filename":"ED-PR-ETOH-N-81.pdf","filesize":[{"value":"4.3 MB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"ED-PR-ETOH-N-81.pdf","url":"https://kanazawa-u.repo.nii.ac.jp/record/967/files/ED-PR-ETOH-N-81.pdf"},"version_id":"b7a2ad5b-9c1f-4de1-bb6e-130c4d3a7f14"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"journal article","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"フラ・アンジェリコのフレスコ画における円光の技法II: サン・マルコ修道院の『磔と聖人たち』を中心に","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"フラ・アンジェリコのフレスコ画における円光の技法II: サン・マルコ修道院の『磔と聖人たち』を中心に"},{"subitem_title":"The Technique of Making Nimbuses in the Fresco of Fra' Angelico (No.2): A Study Focusing on \"The Crucifixion and Sainthood\" in the San Marco Museum","subitem_title_language":"en"}]},"item_type_id":"4","owner":"3","path":["16"],"pubdate":{"attribute_name":"公開日","attribute_value":"2017-10-02"},"publish_date":"2017-10-02","publish_status":"0","recid":"967","relation_version_is_last":true,"title":["フラ・アンジェリコのフレスコ画における円光の技法II: サン・マルコ修道院の『磔と聖人たち』を中心に"],"weko_creator_id":"3","weko_shared_id":3},"updated":"2023-07-27T15:40:36.304982+00:00"}