{"created":"2023-07-27T06:19:56.128650+00:00","id":969,"links":{},"metadata":{"_buckets":{"deposit":"e52d0734-04fc-4329-9754-6d4a6681d481"},"_deposit":{"created_by":3,"id":"969","owners":[3],"pid":{"revision_id":0,"type":"depid","value":"969"},"status":"published"},"_oai":{"id":"oai:kanazawa-u.repo.nii.ac.jp:00000969","sets":["11:12:16"]},"author_link":["4192","631"],"item_4_biblio_info_8":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2016-03-01","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"48","bibliographicPageEnd":"96","bibliographicPageStart":"89","bibliographic_titles":[{"bibliographic_title":"美術教育学研究"}]}]},"item_4_creator_33":{"attribute_name":"著者別表示","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"Etoh, Nozomu"}],"nameIdentifiers":[{},{},{}]},{"creatorNames":[{"creatorName":"Omura, Masaaki"}],"nameIdentifiers":[{},{},{}]}]},"item_4_description_21":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"フィレンツェのサンタ ･ クローチェ教会主礼拝堂内に描かれた壁画『聖十字架物語』には，金属箔が贅沢に使われた 工芸的装飾技法の痕跡が至るところに確認できる。壁画の誕生から600 年あまりが過ぎた現在では，その大部分が剥落や黒変 による劣化で，当時の姿を目にすることはできない。同壁画に導入されたこの技法は，ただ単に画題の原典であるヤコブス・ デ・ウォラギネによる「聖十字架伝」のサイクルに基づく，描写対象の神的人格のための表現や描写モチーフのメタリックな 表現にしたがっただけのものではない。作者であるアーニョロ・ガッディが，堂内を金属箔による神聖なる光の空間に演出す るために，同技法を用いた画面を効果的に配した可能性が考えられる。本研究ではまず，工芸的装飾技法の復元を通して金属 箔の光の効果を実証的に明らかにした。次に，礼拝堂内に射す陽光と壁画内の同技法の分布から，アーニョロによる礼拝堂内 の空間演出について考察した。We can see the vestiges of decorative art techniques in which metallic leaves are lavishly used in ‘The Legend of the True Cross’ painted by Agnolo Gaddi in the Basilica of Santa Croce, Italy. However, since the birth of the fresco to the present day (more than 600 years later), the majority of the colors have faded or turned black and we are unable to see it’s original form. The implementation of these techniques into the fresco is not just a desire to create a metallic motif or decoration for expressing deific subjects inspired by the cycle in ‘The Legend of the True Cross’ by Jacobus de Voragine. I hypothesize about the possibility that Agnolo Gaddi used these metallic leaf techniques efficiently to create a sacred space of light inside the Basilica. In this study, I first demonstratively showed the visual effects of the light of the metallic leaves through restoring the decorative art. Then I discuss how Agnolo Gaddi presented the space in the church through his allocation of these techniques within the fresco in conjunction with the sunlight within the main chapel.","subitem_description_type":"Abstract"}]},"item_4_description_22":{"attribute_name":"内容記述","attribute_value_mlt":[{"subitem_description":"Embargo Period 12 months","subitem_description_type":"Other"}]},"item_4_publisher_17":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"大学美術教育学会 = Society of Art Education in University"}]},"item_4_relation_28":{"attribute_name":"関連URI","attribute_value_mlt":[{"subitem_relation_type_id":{"subitem_relation_type_id_text":"http://www.uaesj.com/","subitem_relation_type_select":"URI"}}]},"item_4_source_id_11":{"attribute_name":"NCID","attribute_value_mlt":[{"subitem_source_identifier":"AN10521007","subitem_source_identifier_type":"NCID"}]},"item_4_version_type_25":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"江藤, 望"}],"nameIdentifiers":[{},{},{}]},{"creatorNames":[{"creatorName":"大村, 雅章"}],"nameIdentifiers":[{},{},{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2017-10-02"}],"displaytype":"detail","filename":"ED-PR-ETOH-N-89.pdf","filesize":[{"value":"7.4 MB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"ED-PR-ETOH-N-89.pdf","url":"https://kanazawa-u.repo.nii.ac.jp/record/969/files/ED-PR-ETOH-N-89.pdf"},"version_id":"51271270-2c3e-45d8-8317-df9a9139085d"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"journal article","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"アーニョロ･ガッディによるサンタ･クローチェ教会主礼拝堂内の空間演出について: 壁画に用いられた工芸的装飾技法と堂内に射す陽光の関係から","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"アーニョロ･ガッディによるサンタ･クローチェ教会主礼拝堂内の空間演出について: 壁画に用いられた工芸的装飾技法と堂内に射す陽光の関係から"},{"subitem_title":"The Space Performance Created by Agnolo Gaddi in the Basilica of Santa Croce: The Study of the Decorative Art Techniques in Gaddi’s Fresco and Its Relationship with the Sunlight in the Chapel","subitem_title_language":"en"}]},"item_type_id":"4","owner":"3","path":["16"],"pubdate":{"attribute_name":"公開日","attribute_value":"2017-10-02"},"publish_date":"2017-10-02","publish_status":"0","recid":"969","relation_version_is_last":true,"title":["アーニョロ･ガッディによるサンタ･クローチェ教会主礼拝堂内の空間演出について: 壁画に用いられた工芸的装飾技法と堂内に射す陽光の関係から"],"weko_creator_id":"3","weko_shared_id":3},"updated":"2023-07-27T15:40:34.593688+00:00"}