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2018 年度学生企画展報告 物録（モノローグ）― 資料たちの波瀾万丈な「モノ」ガタリ
https://doi.org/10.24517/00058245
https://doi.org/10.24517/00058245f49ef55c-6db8-47a6-a81f-c2a24dd92d9e
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
AA11463232-15-1-20.pdf (1.8 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2020-05-19 | |||||
| タイトル | ||||||
| タイトル | 2018 年度学生企画展報告 物録（モノローグ）― 資料たちの波瀾万丈な「モノ」ガタリ | |||||
| タイトル | ||||||
| タイトル | A Report on the Special Exhibition by Students at Kanazawa University Museum in 2018, “MONOROGU (Monologue)”: SHIRYO TACHI NO HARANBANJYO NA “MONO”GATARI | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| ID登録 | ||||||
| ID登録 | 10.24517/00058245 | |||||
| ID登録タイプ | JaLC | |||||
| 著者 |
松下, 梓
× 松下, 梓× 岡田, 優太× 櫻井, 宇佳× 藤本, 夏実× 笠原, 健司× 菅原, 裕文× 河合, 望 |
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| 著者別表示 |
MATSUSHITA, Azusa
× MATSUSHITA, Azusa× OKADA, Yuta× SAKURAI, Hiroka× FUJIMOTO, Natsumi× KASAHARA, Takeshi× SUGAWARA, Hirofumi× KAWAI, Nozomu |
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| 書誌情報 |
金沢大学資料館紀要 en : Bulletin of the Kanazawa University Museum 号 15, p. 1-20, 発行日 2020-03 |
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| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 2423-8864 | |||||
| NCID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AA11463232 | |||||
| 出版者 | ||||||
| 出版者 | 金沢大学資料館 | |||||
| 出版者（別名） | ||||||
| 出版者 | Kanazawa University Museum | |||||
| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | In this article, we looks back on the student's exhibition “Monologue: The Turbulent Story of Materials,” at Kanazawa University （16/11/2018-19/01/2019） and evaluated by the students who actually participated in this exhibition program. Sugawara and Kawai introduce this article, presenting the background of the special exhibition by the students of Kanazawa University as a part of the class “Museum Training” and the overview of the class schedule. Matsushita discusses the ideas of this exhibition in Chapter 2. In Chapter 3, Sakurai shows the selection and research of the materials, and in Chapter 4, Fujimoto focuses on the display of the exhibition. In Chapter 5, Okada looks back on educational activities, such as gallery talks and workshops on the Nihon Makyo. Finally, Kasahara, who cooperated as a curator of Kanazawa University Museum, considers the significance of a special exhibition conducted by students in the university museum. | |||||
| 著者版フラグ | ||||||
| 出版タイプ | VoR | |||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
